| The Alcoa Hour | |
|---|---|
| Genre | Anthology |
| Directed by | Kirk Browning Norman Felton Herbert Hirschman Sidney Lumet Robert Mulligan |
| Composer(s) | Gian Carlo Menotti |
| Country of origin | United States |
| Language(s) | English |
| No. of seasons | 2 |
| No. of episodes | 51 |
| Production | |
| Producer(s) | Herbert Brodkin Samuel Chotzinoff Joel Spector |
| Running time | 45–48 minutes |
| Broadcast | |
| Original channel | NBC |
| Picture format | Black-and-white |
| Audio format | Monaural |
| Original run | October 16, 1955 – September 22, 1957 |
| Chronology | |
| Related shows | Alcoa Theatre |
The Alcoa Hour is a live anthology television series sponsored by Alcoa and telecast in the United States from 1955 to 1957. The series was seen Sundays on NBC at 9pm.
Contents |
Like the Philco Television Playhouse and Goodyear Television Playhouse that had preceded it, The Alcoa Hour was a one-hour live dramatic anthology series presenting both original stories and adaptations of popular works. The three series were essentially the same, with the only real difference being the name of the sponsor.
The series alternated weeks in the same time slot with the Goodyear Television Playhouse until both series ended in 1957.
One of the series' most famous episodes was the first, live-action version, on Dec. 23 1956, of The Stingiest Man in Town, a musical adaptation of Charles Dickens's A Christmas Carol, starring Basil Rathbone as Scrooge and Martyn Green as Bob Cratchit. It was the only Alcoa Hour production to be granted an original cast album recording. The Stingiest Man in Town was remade in 1978 as a Rankin-Bass animated cartoon, starring the voice of Walter Matthau as Scrooge.
The series' premire episode, The Black Wings, marked the U.S TV debut of Ann Todd.[1]
The show garnered press in February 1956 for actor Lloyd Bridges' emotional performance in an episode titled "Tragedy in a Temporary Town", directed by Sidney Lumet.[2] During the performance, Bridges inadvertently slipped some profanity in while ad-libbing.[3] Although the slip of the lip generated hundreds of complaints, the episode won a Robert E. Sherwood Television Award, with Bridges' slip being defended even by some members of the clergy.[3][4][5] The episode, during which an innocent Puerto Rican man is targeted by a mob for a sexual crime, was cited by the Anti-Defamation League as "the best dramatic program of the year dealing with interethnic group relations."[4]